The man is in his counting-house counting out his money J:“… Data Protector/Accountant in The House…. emerged from your exploration of the pressure to perform value inside a system that is squeezing the life out of you. The figure of the Data Protector/Accountant echoes my experiences of trying to support social theatre practice in various ways as an evaluator by …
Mapping a New direction in a Creative Journey: Follow the Stone Part One
Mapping a New direction in a Creative Journey: Follow the Stone[1]Part One Then and Now Here follows a series of posts reflecting on recent creative explorations I have been making. These reflections coincide with a podcast I was invited to do recently for Per Stellas and an invitation to facilitate and direct students in a creative project we are calling …
The Trouble With Statues
The Trouble with Statues The trouble with statues is they are too big for cupboards. Once in situ – that’s it, unless through some vigorous act they are torn down, usually with the aid of ropes, chains and muscle. I have been very moved by the Black Lives Matter protests but feel utterly inept in commenting so I will just …
Performing Poverty and Sickness: reflections on ‘The House’ (2015) and ‘COVID’ (2019)
Performing Poverty and Sickness: reflections on ‘The House’ (2015) and COVID (2019) We are living in “unprecedented” times we are told daily through the government performance talks on the telly which in this third month have become extremely tiring and worn out like overlong runs of badly done Shakespeare. Friday Night quiz nights with family and friends in and from …
Peter Billingham – It’s Simply the Memory.
Peter Billingham – It’s Simply the Memory. Peter was a wordsmith, a term I wouldn’t have used when I first met him, but I think best describes how he worked with words in performance. This is what I mostly remember about him: his love of words, the muscularity of his writing, his belief in the importance and uniqueness of the …