In the Steps of the Ancestors Joseph Waterfield (1858-1933) Margaret Prichard (1849-1890) Last month I checked into a quarryman (and woman’s) cottage in Trefor, Gwynedd on the Llŷn Peninsula where three generations of my family lived and worked at the foot of three mountains known as …
Beginnings of Pink Granite
I have been working for almost a year with The Project Group in Charmouth, Dorset under the guidance of Sandra Reeve. I will be sharing some of this new work through Pink Granite this coming weekend. It will mark the development of my new book Pink Granite. Please see the extract from Sandra Reeve’s invitation below with links to the work. There is …
Follow the Stone – A New Creative Walking Programme
Follow the Stone Creative Circular Walking Workshops with Carran Waterfield I am offering the walks on a regular basis all year round. I have chosen Tuesdays for this work but if this doesn’t suit you and you want to participate, please get in touch. I am flexible and can work around your availability. I offer group walks of up to seven people …
Navigating Sentient Performativities Symposium Part Two
Navigating Sentient Performativities Symposium Dartington Hall June 2022 (Part Two). In Part One I wrote mainly covered Sunday and Monday of the Symposium with an extension into the rest of the period to account for the Amerta thread of work running through from the Animate-in-Animate Collective. Tuesday morning was focused on getting through my Disrupted Meadow presentation in Studio 6. …
Follow the Stone: Pre-amble
Follow the Stone: Pre-amble Preamble[1]:before a walk begins. A thought pathway in two parts: 2021 and 1961. Part One 2021 Now Whenever I leave the house I am always going ‘Somewhere, there’s a place for us’ It’s clear, simple and obvious. How I go is the question. Why I go is the other question. I am “going to …
Follow the Stone Part Four: Stopping Places – the aerodrome
Follow the Stone Part Four: Stopping Places – the aerodrome I became conscious in re-working Follow the Stone for a short film edit after Virtual Strata [1] that the piece represented the inner and outer world of Lockdown[2] for me. I think the strands for further development are in the film, and in the continuous working of the 8K walk …
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